Tuesday

Christmas mixtape - it had to be done



It's now or never for this year. With tomorrow being Christmas Eve and all that jazz, I wouldn't be expecting another post until Saturday.

So here it is - the Repeat, repeat. ultimate Christmas mixtape.

The Yobs - Another Christmas
(mp3, 2.5mb)
Goldfinger - White Christmas (Bing Crosby cover) (mp3, 1.6mb)
The Wombles - Wombling Merry Christmas (mp3, 3.2mb)
Squeeze - Christmas Day (mp3, 3.5mb)
The Who - Christmas
(mp3, 5.3mb)
The Ramones - Merry Christmas (I Don't Want To Fight Tonight) (mp3, 2.5mb)

Enjoy. Have a nice Christmas.


Support
The Yobs -- Goldfinger -- The Wombles -- Squeeze -- The Who -- The Ramones


Buy
The Yobs (International) -- Goldfinger (International) -- The Wombles (International) -- Squeeze (International) -- The Who (International) -- The Ramones (International)

Saturday

Saturday Covers #30

Leonard Cohen's Hallelujah. Could there be a more obvious choice for this week's Saturday Covers song? With practically the whole of Britain chanting the song after its phenomenal promotion through the evil that is The X Factor, the winner Alexandra Burke releasing it as a Christmas single and no less than three versions of it fighting for Christmas #1, no other song would really suit for today's Saturday Covers. This is going to be one hell of a post.






Here's the thing: Leonard Cohen is a legend. To quote directly from the cover of my copy of Beautiful Losers (a book I highly recommend you read), he's a "poet, internationally famous singer and songwriter extraordinary, Leonard Cohen is no ordinary man." If the book says so,it must be true.

Apparently Cohen's original poem Hallelujah had over eighty verses. He's cut it down a bit for this version, but it's still got all the passion of the original. Vocally, maybe Cohen's not the best singer (those low notes are like listening to a singing volcano), but he's got the emotion in his voice, he's got the style. As The Telegraph put it, he wouldn't even get through the auditions of The X Factor, let alone win. Not to mention the impending Christmas #1 by the actual winner... I can barely contain my excitement while Leonard Cohen's original version is currently stuck at #34. This is a disgrace.

Anyway, although Cohen's Hallelujah isn't too highly regarded by the public who all want the stupid X Factor cover, it's still the original, and that counts for a lot. He's the man behind the music, and like it or not, he's the real winner here.

Leonard Cohen - Hallelujah (mp3, 4.3mb)






Cover #1 (not chronologically, but in my nice little order) is provided by Bon Jovi. That's right - cheese-rock at its best. But let's not judge a band by their hopeless ballads. Bon Jovi have written some amazing stuff, don't forget. You may not like to admit it, but you love Livin' On A Prayer. Everyone does. So let's give them a chance, eh?

As far as Bon Jovi's softer songs go, a lot of them a cringeworthy, simply because the band are trying too hard. Trying too hard to get us to cry. Well, they certainly do that. But in Bon Jovi's Hallelujah cover, the already well-established song isn't the thing that gets us cringing. It's just the vocals. We shouldn't fault Jon Bon Jovi's singing ability - he's a well accomplished vocalist. But the way he tries so hard to get some emotion, the way he desperately fakes the passion... it doesn't sound genuine. The singing's beautiful, but the emotion's false. Let's not forget, the song has plenty of Biblical references, but Jon Bon Jovi's an atheist. How can he genuinely sing with passion about something he has no time for?

Putting the singing aside, the performance is actually really nice. The backing vocals are less prominent on this recording that Cohen's original, but it's compensated for by a lovely solo violin line. The highlighted minor chords add the much-needed effect if you're going to cover the song well, with added emphasis on particular notes. It's all a very musical affair, and by no means a half-arsed cover. A high score for the music... a low for the singing.

Bon Jovi - Hallelujah (mp3, 5.4mb)






There's not a lot that can be said about Shrek, but I'll give it this: it provided a great cover of Hallelujah.

Rufus Wainwright's version of Hallelujah is possibly the best so far (so far, remember... there's more to come). Interestingly enough, it was John Cale's verison that was featured in the actual film Shrek, but due to legal reasons (damn those legal reasons), Rufus Wainwright was asked to record a version for the soundtrack album. And I'm glad he did. What Bon Jovi's cover was missing, this recording has. It's got the emotion, but it doesn't need to be overly forced. It's not so much emotional, as dramatic. The fluctuating dynamics, the varied articulation... it's all there, adding to the drama. The vocals are reasonable - reasonable enough to enjoy listening to the song, a lot. A massive well done to Rufus Wainwright here.

Rufus Wainwright - Hallelujah (mp3, 3.9mb)






There's not a lot to be said about Bono's cover. Why? Because it's appalling. Thumping "dance bass" lines constant in the background, pathetic chorus vocals, stupidly dramatic spoken word verses, a completely out of place trombone solo... it's not really worth a listen, but if you really want to lower your opinion of Bono even more, here you go. Credit for actually trying to interpret the song and make it original, but really, stick to U2.

Bono - Hallelujah (mp3, 3.6mb)






Just one more cover before I leave it be for today. Often considered the ultimate recording of Hallelujah, and currently #3 in the charts, Jeff Buckley's cover has a lot going for it. A completely original and inventive guitar opening before launching into the main riff, smooth vocals, subtle crescendos... this is a recording and a half. Proving that you don't need false emotion, you don't need stupidly over the top interpretation, you just need an ear for the song and the wish to flatter it.

There's actually a Facebook campaign going on at the moment, urging buyers to purchase Jeff Buckley's verison of the song for Christmas, and NOT Alexandra Burke's (The X Factor winner, remember? Seems so long ago since the top of the post). I agree that Jeff Buckley's is far superior, but let her Alexandra have her day. Buckley's had his.

But, oh... just listen to the sustained notes at the end...

Jeff Buckley - Hallelujah (mp3, 6.4mb)



As much as I'd like to post The X Factor winner Alexandra Burke's version of the song for comparison and download, I'm not going to post a newly released single. I'm not that mean.

There's so many versions of this song, so here's something for you to ponder: "It doesn't matter which you've heard... the holy or the broken Hallelujah."


Support
Leonard Cohen -- Bon Jovi -- Rufus Wainwright -- Bono -- Jeff Buckley -- Alexandra Burke


Buy
Leonard Cohen (International) -- Bon Jovi (International) -- Rufus Wainwright (UK) (US) -- Bono (International) -- Jeff Buckley (International) -- Alexandra Burke (International)

Saturday Covers #29

After a fun-filled week which sadly involved no posting at all, it's time for what I predict to be one of the most popular Saturday Covers so far.

So what have I been doing all week that's taken up all the free time I would otherwise have for posting and doing other nerdy activities? I've actually been involved in a production of We Will Rock You. I expect I'll do a post about the actual musical soon, because after being involved in it I've formed some particularly strong opinions about the plot - and they're not positive. And why am I mentioning this? Because after being exposed to Queen's greatest hits about twenty times a day for the last four months, it's the perfect excuse to have one of their most popular on Saturday Covers. This, ladies and gentlemen, is Saturday Covers: The Bohemian Rhapsody Edition.






I must say I have a thing about Bohemian Rhapsody, and you probably won't like it, but here goes. It's ridiculously overplayed.

Come on, it is. I don't know about over in the US, but over here you can't say the words "bohemian," "rhapsody," "Gallileo," "fandango," "Queen," "song," or just about any other word you can think of without the entire population of the surrounding area spontaneously bursting into song. And of course, they know every single lyric. Everyone does. And that's what annoys me. It's no longer viewed as a classic rock track, it's just viewed as something everyone, and literally everyone, knows, like Humpty Dumpty or something. And trust me, Bohemian Rhapsody is not comparable to Humpty Dumpty.

Queen - Bohemian Rhapsody (mp3, 6.9mb)







Well, look who it is! Of all the crazy Australians in the world, it just has to be Rolf Harris who covers Bohemian Rhapsody, doesn't it? This is one of those covers that you either love or you hate. The purists out there will despise this - effectively, Rolf Harris has ruined a classic. But on the other side of the track are those who treat the song just like Humpty Dumpty (see above. It always comes back to Humpty...), and I expect they'll quite enjoy it. Whatever position you stand at, at least give it a try. It's good fun.

The blatant difference from the original is noticeable right from the beginning. Of course, the most obvious change is it's not being sung by several unaccompanied members of Queen - it's being sung by the most stereotypical Australian since the one that we won't mention because he's no longer with us. And of course, the typical Aussie style and humour is with us right from the beginning of the arrangement, with Rolf's cheeky singing and a move straight into Australian folk. In fact, I do have a criticism of Rolf's singing on this track - he's not really reaching his full potential. I think he's compromised good singing just to include as much as the accent as he can.

The song moves on to the "too late..." section, and what's that I hear. Could that possibly be the sweet sound of a wobble board? Oh, Rolf, we knew we could rely on you...

The wobbling is accompanied by some very odd "springing" noises as the song moves into the "Scaramouche fandango" section. This is actually remarkably similar to the original, with near identical singing (well, I say near). The instrumentation's different, but they play the same lines as the original. Oh, and there's a wobble board. Did I mention that? As the section moves on, it just gets ridiculously over the top, and that's where the two different opinions start to form: you either love it or you hate it. Manic laughter introduces us to the traditional loved-by-everyone Wayne's World guitar-crunching heavy metal section. And surprisingly enough, it actually uses proper electric guitars. I was expecting a wobble board.

The rest continues in the same fashion. Overall, it's definitely an impressive interpretation of Bohemian Rhapsody, with somewhat odd vocals and instrumentation, but worth a listen. Is it good or not? That's for you to judge.

Rolf Harris - Bohemian Rhapsody
(mp3, 2.4mb)



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Queen -- Rolf Harris

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Queen (International) -- Rolf Harris (International)

Saturday Covers #28



Bruce Springsteen hasn't done too badly for himself, has he? A holder of eighteen Grammy Awards, which is, umm... more than I can say I have. With songs like Born To Run and Born In The U.S.A. (yeah, OK, we get it, you've been born. So have most of us), it's difficult not to appreciate the pure talent this man holds. Obviously, with any popular artist, there's a general feeling that once they've sold more than a million records, they're no longer cool. OK, maybe he's not cool. I still like his music.

But amongst the popular song, has anyone bothered to listen to his very first single, Blinded By The Light? Did anyone actually realise that it was originally by him, rather than the artist I'll be featuring next? It's actually a pretty good song, but it received virtually no attention upon its intial release. Well, you can't win them all, Bruce.

Bruce Springsteen - Blinded By The Light
(mp3, 4.7mb)






Of course, this is the version we actually care about. Manfred Mann's Earth Band completely re-arranged Blinded By The Light, turned it upside-down and released it to a massive commercial success. Every second of which it deserved.

I'm a bit biased, as I was pretty much raised on Queen's Jazz... and this. I'm in love with it. Having grown up hearing this version of the song, and only this version, it was actually a great shock to hear that it was in fact a cover - and originally by Bruce Springsteen of all people. Listening to this compared to Bruce's, you can understand my surprise. The constant synthesized quavers, the consistent melodies, the rich texture... none of which was present in the Springsteen version at all. Springsteen's is an enjoyable listen in a feelgood way, but Manfred Mann's is atmospheric, emotional and to be quite honest, amazing. Can I stress it enough?

The contrast between these two arrangements is quite something though. Usually, a cover will have some changes, maybe if you're lucky a genre change, but never anything as significant as this. This is a lucky, rare, occurence and if you're anywhere near as sensible as you make out, seriously, listen to it now. It has my full backing and you can hold me responsible if you don't love every minute.

Oh, and as a special treat, the full seven-minute album version. Who wants four minutes of the single when you could extend that listening pleasure?

Manfred Mann's Earth Band - Blinded By The Light (Album Version) (mp3, 8.2mb)



Support
Bruce Springsteen -- Manfred Mann's Earth Band

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Bruce Springsteen (International) -- Manfred Mann's Earth Band (UK) (US)

Thursday

No swearing!



I actually complained to Channel 4 yesterday. That's right, I wrote an official letter (or rather, email) of complaint to a television channel regarding one of their shows. I'm getting old.

Here's my original email:

"Dear Channel 4,

I was absent-mindedly watching
The Home Show while making myself a meal this evening at around 8:20, and while my attention wasn't completely focused on the programme, I'm quite sure I heard the "sh**" word spoken quite clearly in a sentence regarding birds in an apartment in France and their waste, although your presenters appear to use less appropriate terms. I fully understand that swearing is permitted on television, but at 8:20? I don't know about the legality of the issue, but legal or not: it's inappropriate for a show which I thought was going to be rather interesting presented by what I thought were mature presenters.

Besides what offence you may cause to those who don't expect their televisions to be full of obscenities before 9pm, please considerthe reflection it has on you. All it displays is that your presenters have a lack of sophisticated vocabulary and are unwilling to find alternatives to swearing."


If I'm honest I wasn't expecting a reply, so I suppose Channel 4 can be credited on that front. I received the typical "No, it's legal, we didn't do anything wrong" email, but the main issue regarding the lack of vocabulary held by their presenters wasn't addressed.

Maybe I'm being fanciful and naïve to expect to live my life in a world where everyone's mature enough to take precautions not to offend others. I wasn't too offended myself, I get enough of the obscene language every day, but some people may take offense to being addressed in an immature manner. It's not the swearing itself that concerns me, just the blatant disregard and carelessness of Channel 4 for not considering some of their more easily offended viewers. OK, I don't usually watch The Home Show, in fact, I'd never seen it before in my life before yesterday, but it seems like the type of programme those of an elderly generation may enjoy: architecture, rennovation and history. It's just a pity they have to be so unsavoury about it. What is the youth of today coming to?

I really am getting old.

Oasis - Just Getting Older (B-side to The Hindu Times) (mp3, 1.6mb)
Simple Plan - Grow Up (really uncool, but suitable) (mp3, 3.6mb)


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Oasis -- Simple Plan

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Oasis (International) -- Simple Plan (International)