Saturday

Saturday Covers #27

Oh, I'm so in love with today's song. So in love.




Birdland was composed by Joe Zawinul for Weather Report. Of course, we all know Weather Report, they're legends in jazz fusion. Combining funk, rock and art music with the all important element, jazz, Birdland is possibly one of the finest pieces of music composed last century, and that's beating Schoenberg's "Piece." Good old Schoenberg. Anyway, if you haven't heard Birdland, I really suggest you do. You won't hear anything quite like it again. It sounds like jazz, but is it? Is the bass too prominent? Why are there synthesizers? Can I trust myself to recognise genres anymore? Am I a true music fan? Do I even know myself? Birdland will raise all these questions for you in a light-hearted manner, and I know you'll love it. Joe Zawinul's a complete genius.

Weather Report - Birdland (mp3, 7.0mb)






So, Maynard Ferguson's been featured on Saturday Covers before, way back in Saturday Covers #1. That's right, I deemed Maynard Ferguson important enough to feature in the very first edition of what's become a highly popular series. He must be good. And he is - he's incredible.

The immediate appeal to Maynard's cover of Birdland, and in fact any Maynard Ferguson piece, is the inexplicably high trumpet playing. I discussed this in the very first Saturday Covers, but I really feel I've got to reiterate: it's really, really, really high. I'm a trumpeter myself, I can tell you that for most of us something that high just comes out fine first time, then a pitiful squeak from then on. Maynard is incredible.

And his cover of Birdland isn't too bad either. Of course, I under-emphasise by miles here, but, it's amazing. Solos left right and centre, any instrument you choose. And the intro... it'll blow you away. Literally - I wouldn't like to stand in front of Maynard when he's playing.

Maynard Ferguson - Birdland
(mp3, 9.5mb, hefty file size but it's worth ten times that much)


Support
Weather Report -- Maynard Ferguson

Buy
Weather Report (UK) (US) -- Maynard Ferguson (International)

Monday

B is for B-sides #14

B is for B-sides has returned! At least, for this week.

So as it's nearing Christmas (yes, I hate to admit it too, but it's time to get all hyped up), I thought this week's B-side could have a nice little Christmassy feel.



But of course, before we move on to the Christmas B-side you're all waiting for, we've first got to examine the A-side. And what is that? It's everyone's favourite ridiculously overrated rock and roll track by everyone's favourite underrated rock and roll artist, Johnny B. Goode by Chuck Berry.

We all know it. That's because it's every guitar teacher's third lesson piece to teach their students. Who of course, go on to tell their friends how well they can play it. And before we know it it's got international fame and a reputation that doesn't add up to the quality of the song.

Not that it's a bad song at all. I particularly enjoyed it the first time I heard it, as I expect did everyone. It's just very overplayed. That's all.




What about the B-side then? Well, Run Rudolph Run* has become quite well known, especially for a B-side. It's usually included on all these "Rocking Christmas Super Duper Fantabulistic Buy This And You'll Be Happy At Christmas Time Rock & Roll Xmas I'm Very Overpriced And You'll Hear Enough Of These Songs On The Radio But That Doesn't Matter Because Everyone Throws Money Around At Christmas And You'll Look Cool Too If You Buy This And By The Way It's Got Some Very Overplayed Songs On Which Will Bring Back Happy Memories Of Past Christmases For You And You're Far Too Silly To Buy The Original Artist's Album" compilation pieces of rubbish. Which is a great shame. I'm not a fan. But the song itself is actually quite decent. Not as good as the A-side, the great Johnny B. Goode, but it's a fair tune. It starts off with pretty much an identical intro to the A-side, but let's be honest here, what Chuck Berry song doesn't? It doesn't really matter, so few people listen to the greatness that is Chuck Berry they won't realise anyway. Which, also, is a shame.

Listen to it, then buy some more Chuck Berry. Do it now!

A-side: Chuck Berry - Johnny B. Goode (mp3, 2.5mb)
B-side: Chuck Berry - Run Rudolph Run (mp3, 2.5mb)


*Commonly called Run Run Rudolph. To be blunt, that is wrong. Don't call it that.



Support
Website

Buy
Direct (International)

Saturday

Saturday Covers #26

There's some big names doing the covering this week. Although, not as big as two weeks ago. No one's bigger than The Beatles. Spot that reference.




Today's song is My Generation by The Who. You may have heard it. As with every good song The Who made, it's become overplayed to the point where it's boring and tedious to listen to. This is a great shame, as The Who wrote some awesome stuff in their time, but it should be savoured, not pumped into you at every possible occasion. My Generation's a classic lament of neglected youth, but seeing as The Who are no longer youthful, don't you think it's time for someone a bit younger to cover it? I think so.

The Who - My Generation (mp3, 2.4mb)






Cover #1 comes from our all-time favourite "punk" band we love to hate, Green Day. Now, obviously, liking Green Day isn't cool anymore, but I think everyone's a bit unfair on them. I know I've said it before: they had some killer albums. Their first two were pure home-grown punk, come on. It was on Kerplunk!, one of those two, where their cover of My Generation was placed. It's a little more up-tempo than the original, but not rushed (thank goodness). Billie Joe's vocals are a little forced and uninteresting, but it's all you'd expect from a band's first full-length. It has some pretty amazing guitar work in there, with a really good solo in place of whatever The Who did. There's a small attempt to mimic the original stutter in the song, but they're not overdoing it. When I first heard the cover a few years ago, I was impressed. Recalling it, I;m even more impressed. It's solid stuff.

Green Day - My Generation
(mp3, 2.7mb)






Radio-listeners prepare to go crazy for this next cover. It's only by the only Britpop band to survive the 21st century, good old Oasis. Those snotty loud-mouthed lumps of arrogance have been quite popular recently, following the release of their new album Dig Out Your Soul. Now, I don't own it, but I have heard it and it's not too bad at all. Obviously it's nothing compared to Definitely Maybe, the best album since home-made and definitely not sliced bread. But we're not here to discuss albums... we're here for their cover of My Generation.

Well, it's not bad. It's not bad at all. It's pretty great. In fact, I haven't stopped listening to it since I heard it. I love it. If I weren't so loyal to my musical upbringing, I'd say it was better than The Who's. Seriously, it's got everything right about it. Balance, vocals, musicianship, interpretation... there's not one thing bad about it. This is why Oasis beat Blur and Pulp in the end (although let's not say anything bad about Pulp, I love them), because they can pull things like this off and do it well. Really, really well.

Oasis - My Generation (mp3, 3.6mb)


Support
The Who -- Green Day -- Oasis

Buy
The Who (International) -- Green Day (International) -- Oasis (International)

Thursday

"Where are they now?" #1: Ray Davies

Today marks the start of what is hopefully going to be a long (and not to mention amazing) series of posts. Each "Where are they now?" post will take a look at an artist or band considered to be legendary, but unfortunately, forgotten by the majority of people. Well, here at Repeat, repeat., we believe that these legends should not be put aside in the same box containing those oh so tragic one-hit wonders. No, we believe that a truly brilliant artist's musical career should be followed to the day when the music stops.

So, Ray Davies. Where is he now?


Of course, picture courtesy of the BBC.


Ray Davies' success started early with highly influential band The Kinks. Of course, The Kinks being as good as they were, were missed greatly when they disbanded. So much, in fact, you may be pleased to hear that they're reforming (although, that's seriously old news). After the split of The Kinks, Ray Davies continued to write music. And it's not bad music at all. He's been releasing albums on his own for quite a while. The music has taken a turn from the poppy rocky sounds of The Kinks, but it's by no means a bad one. Mark Knopfler, who's had considerable success with his solo work after Dire Straits, would be a great comparison to Ray Davies' solo work. The songs follow an upbeat yet laid-back mood, and are particularly easy to listen to as background music.

Ray Davies' latest album, Working Man's Café, was released just around a year ago, and while it's not as highly acclaimed as any of his work in The Kinks, it's a great listen. He's also been working on some musicals, but let's be honest... what aged rock star hasn't been?

Ray Davies - Vietnam Cowboys (mp3, 2.9mb)
Ray Davies - The Tourist (mp3, 4.4mb)


Support
Website -- MySpace

Buy
Direct (International)

Monday

Apologies and final Delirious? reminder

This'll be the third week running without B is for B-sides. I'm just too busy at the moment to justify a weekly thing. You'll have noticed that post counts are down recently, but I'm not letting this take priority over the work I've got to do. Saturday Covers is still running fine, and that's by far more popular!

A final reminder that you can buy Delirious? new and final single, released today. After countless years of playing, they're breaking up, and we really, really want them to be on the charts one last time. Here's a brief recap of information I've already passed on in previous posts:

Four different formats are available. No vinyl unfortunately, but take your pick from:

CD1:
Containing simply the A and B-sides, pre-order it from here.










CD2:
CD2 contains three different versions of Love Will Find A Way, including a somewhat strange but fun dance mix. Pre-order here!









CD3/DVD:
This has got a music video plus other bonus features and Delirious? information. Just £2.99, pre-order right here.









The fourth is a digital download of a live recording. To get this, text "LOVEWILL" with no spaces to 81088 (UK only, sorry!). All three physical formats can be purchased as a bundle at a discount price. Again, available to pre-order here.

As always, other Delirious? items and goodies are available at Townsend Records, where you can also stream a sample of the new single. Happy buying, guys!



Come on, buy it as a favour for Delirious?. It's your last chance. Ever.

Saturday

Saturday Covers #25

Prince Buster's One Step Beyond - a down-tempo version of a Madness song? Wrong: Madness play an up-tempo version of a Prince Buster song. Let's get the credit right.




Prince Buster may not be a household name, but he's very influential and highly-regarded in the whole reggae/ska genre. Not only is he that, but he's the original performer of the successful Madness debut single, One Step Beyond. Buster's version, in comparison to the familiar Madness track, is more like a smooth, chilled-out, summer-day-smoking-weed-track. It's got some great solos in it, but it all sounds a little too laid-back for the saxophonist to be trying very hard. It's like he's just not trying. However, it;s still rather impressive, and the entire song is reflective of the era. Enjoy.

Prince Buster - One Step Beyond (mp3, 3.3mb)






Well, after Prince Buster's relaxed little jam, I reckon we could do with some speeding up. And Madness do that fantastically. I won't go into too much detail about the Madness cover, as pretty much everyone knows it, along with the accompanying dance moves. I love it.

Madness - One Step Beyond
(mp3, 3.8mb)


Support
Prince Buster -- Madness

Buy
Prince Buster (UK) (US) -- Madness (UK) (US)

Wednesday

Less Than Jake + Pepper + Beat Union + Imperial Leisure 11/11/08 - gig review

What's the best way to spend a Tuesday evening/Wednesday morning? Usually, taking a train full of smelly people up to Oxford then trekking through the town (full of smelly people, may I add) to the Carling Academy wouldn't be my first choice. But hey, when you've got Less Than Jake at the end of it... who cares, really?


Sweat-stained skank-crumpled remains of the ticket.

Imperial Leisure
There's only one word to describe Imperial Leisure's set last night and that word is awesome. As soon as singer Denis ran through the crowd and hurtled the barrier straight onto the stage right next to me, grabbed a bottle of (cheap) champage and emptied all over the crowd, we knew it would be amazing. After the initial shock of seeing someone jump onto stage without being tackled by security, I soon got into their music. Imperial Leisure play pure, fast ska, backed by a horn section consisting of just one lone trumpeter (who did a fantastic job)! Although barely any of us in the crowd knew their music, by the end of the set we were all fans. They played with such incredible energy, and vocalist Denis even came into the crowd to skank with us for a while! It's very satisfying to push around the vocalist of a band you really, really want to be in.

Of all three support acts, Imperial Leisure were by far my favourite. Such energy. And vocalist Denis (that name just keeps popping up doesn't it?) was really friendly: he was having great conversations with fans after the show, distributing free badges and stamping peoples' faces, and, uh... nipples. Not to mention he has the coolest hair, period.

Imperial Leisure have a new single out, Landlord's Daughter, available for (free!) download here. They played it last night, it sounds promising. The album, The Art Of Saying Nothing, is available to buy here (and I highly recommend you do).

Olly's comments:
To be honest, the people weren't that smelly, and we met a super cool guy called Ivo , who organises ska/punk gigs in Reading. But anyway, I have to say that Imperial Leisure were awesome, and I totally agree that Denis had the coolest hair ever. I think Jon's gone through them suitably, and you all should definitely check them out.

Beat Union
These guys were a bit of a shock to us all. At a ska gig, we were expecting ska, and after hearing Imperial Leisure, our standards had risen by about 1000%. But as Beat Union came on, we could all see that they definitely weren't ska: a sweaty guy in tight ripped jeans and a Ramones t-shirt graced the stage first. A collective groan swept throughout the crowd - but it was short-lived.

Beat Union played a great, fun set. They even managed to include a few Police songs in the middle of their own, a great surprise to me who was happily skanking, only to realise I was skanking to Can't Stand Losing You - the height of embarrassment, eh? Just joking, I love The Police, but that's not the sort of thing you expect to dance to at a Less Than Jake gig. Anyway, Beat Union, although not quite what we had anticipated, were certainly a high quality act with great music.

Pepper
Everyone loved Pepper. I'm not quite sure why. In my opinion, they weren't as good as Imperial Leisure, who I thought were the best of all three supports. However, Pepper came a close second, as they played a really excellent set of both ska and punk songs. Maybe in some places they were a bit immature for the however-year-olds they are, including one instance where they asked everyone, quite politely, to shout a certain word (which I won't be stating here)... just for giggles. Come on guys, grow up.

I'm not really being too flattering. They actually gave a really solid performance and they're an already well-renowned, very popular band, and for good reason - they're awesome.

Olly's comments:
Pepper are a punky/reggae trio from Hawaii, and they're pretty damn good. By the time Pepper came on the stage, the audience were more or less ready for Less Than Jake and weren't really that interested in seeing a third support band, but these guys put on a fantastic show. They strutted on stage with not a lot on, looking like they had just got here from Hawaii. They played their music with a huge amount of energy and put on a great show. They play a kind of laid back punky reggae, with very Sublime-esque vocals. Well, now I think about it, they actually sound a fair bit like Sublime (OK, I really like them!), but not too much so they seem like they're completely ripping them off, but they were definitely influenced by them (some of their songs are a bit heavier). Anyway, they're a great band to see live, and you should almost certainly pick up a copy of one of their CDs. They also had a strange obsession with the female anatomy, but I mean, everyone has a hobby right?

So, I recommend you check them out, and if you like the stuff on their MySpace go and buy a CD or a couple of tracks from iTtunes... yeah, go check them out.

Less Than Jake
I'm surprised Less Than Jake had any audience left after we got through all that lot. There was roughly a ten-minute break between Pepper ending and LTJ entering, in which several chants of "Less Than Jake!" took place... with no real result. Less Than Jake entered in a way which took me by surprise, but was extremely clever. The lights dimmed, and over the speakers came the familiar "This is a fair request..." speech which opens the incredibly popular All My Best Friends Are Metalheads. Obviously, as soon as the first words were completed in this speech and we realised what was going on, we went crazy, a fair few prematurely skanking before the music had even started. LTJ entered as the lights were dimmed, although it didn't really do much to hide them as I guess they'd wanted. We all spotted them and a huge roar rose up. Obviously, as the music started, I was crushed. Literally. You know how it is at ska gigs.

LTJ's setlist was brilliant, with the perfect combination between old classics and new GNV FLA tracks. They thankfully avoided those not so popular songs from In With The Out Crowd, partly due to no one really caring for them and they'd give the horn section nothing to do. In fact, the set opened with perhaps the four most popular LTJ songs ever, one after the other, with barely any conversation in between. We could hardly believe we were being treated to Metalheads, Lion City, Johnny Quest and Look What Happened all in a row. But, we were, and it was fantastic.

Now, I love Less Than Jake, but here's the bad part. I don't think Imperial Leisure were the best choice of a support band. They showed LTJ up. They are NOT a better band, nor do they have better songs, but they're so much better live. LTJ just seemed to lack any real enthusiasm and just chigged through the songs. Obviously they were great performances, but compared to those of Imperial Leisure or Beat Union, they were lazy.

This doesn't really concern me, though. I loved every minute of it, and LTJ were great with the crowd. Famous for their circle pits, they requested that two should be formed. It wasn't exactly the best circle pit, with one side completely collapsing causing it to grind to a halt, but it was still a great laugh. There was a great atmosphere, where if someone fell over (which happened an awful lot), they would always be heaved up before someone trod on them.

Overall, a fantastic show. I love LTJ and have done since I heard Metalheads however long ago it was, and they didn't disappoint me. Massive thanks to Olly, who arranged the transport and paid for my ticket (it wasn't blind kindness, I paid for his NOFX ticket about a year ago)!

Olly's comments:
OK, let me get this straight: I'm huge Less Than Jake fan. They are my favourite band, and I'd never seen them live before, and was looking forward to this like Ronald McDonald looks at small children. They came on stage, and I knew every lyric of every song they played. I even knew the whole opening of All My Best Friends Are Metalheads (you know, "This is a fair request..."), and screamed every single lyric, and my voice still hurts. Now I have to disagree with Jon, I don't think that they were shown up by Imperial Leisure. They were very good, but I just think Less Than Jake were better. OK, so they didn't all jump about the stage through their (much larger) set, but when you think about it, most of Less Than Jake are in their mid 30s now. They've been playing for 16 years now, the're not going to have as much energy as some young new band. The thing that made them fantastic for me was just the way that they could get the crowd (including me) to react the way they did. There was a huge amount of energy, I don't remember seeing anyone not moving (more than you could say for the support bands, some people are just miserable), and they played a great set, filled with loads of their best. Plenty of new stuff as well as old stuff, and nothing from In With The Out Crowd (thank God). Nothing from Pezcore either (unless you count Johnny Quest, but that's known from the Losing Streak remake), which was a tad disappointing, but to be honest they played lots of Rockview/Losing Streak in there, and a few of the good ones off Anthem, so it's all good. I skanked my heart out there, and screamed every single lyric, and by Wednesday morning I could barely speak. Totally worth it. I'm not sure how it's possible not to like Less Than Jake, and if you're a fan of them, go and catch them while they're still here. If you're not a fan, go see them anyway, because the combination of them and support bands makes it totally worth the £16, and more.
You can still catch them (tickets still available) if you live near Leeds or Manchester on the last few days, but if you don't, then you'll probably have to wait till next year. It's a shame if you didn't see them. What's the best way to spend a Tuesday evening/Wednesday morning? Damn right it's seeing Less Than Jake.



LTJ setlist - we think it's in order, one or two songs may be misplaced (bold = Jon's highlights, underlined = Olly's highlights):

All My Best Friends Are Metalheads
Does The Lion City Still Roar?
Johnny Quest Thinks We're Sellouts
Look What Happened
Conviction Notice
Great American Sharpshooter
The Ghosts Of Me And You
Summon Monsters
Automatic
The Science Of Selling Yourself Short
Nervous In The Alley
How's My Driving, Doug Hastings?
Richard Allen George... No, It's Just Cheez
Abandon Ship
Last One Out Of Liberty City

-ENCORE-
Scott Farcass Takes It On The Chin
Plastic Cup Politics
(By huge audience request) Gainesville Rock City


Imperial Leisure - The Landlord's Daughter (mp3, it's worth it)
Less Than Jake - Great American Sharpshooter (mp3, 1.5mb)


Support
Imperial Leisure -- Beat Union -- Pepper -- Less Than Jake

Buy
Imperial Leisure (UK) (US) -- Beat Union (International) -- Pepper (iTunes) -- Less Than Jake (UK) (US)

Saturday

Saturday Covers #24

This one's for those of you who are as sick of Beatles covers as I am. Instead of others covering Beatles songs... let's hear The Beatles doing the covering for a change.

The interesting thing about all the performers featured today is that they're all considered legendary within their own genre. Often a cover is performed by little-known bands looking for a big boost by performing a song everyone knows, but these bands don't really need a boost. Although when these bands covered the song, they were actually not very well known, so maybe they did need the boost. It's all a bit silly really.






So, here's the first legend - Little Richard. My goodness, he's excellent isn't he? Songs like Tutti Frutti and Good Golly, Miss Molly are dubbed as classics for obvious reasons, but it's not just them that are great; all his work is absolutely fantastic. So what about today's song? It's Long Tall Sally, that chart-topping tune from 1956 that went on to be a rock 'n' roll standard. Little Richard's characteristic "screaming" vocals go perfectly with the bass-plucking piano-thumping backing music, conbining to create a cocktail of what is pure delight turned up to 11 at seven in the morning (although I only did that once). Seriously, this is really why people listen to rock 'n' roll isn't it? Little Richard's revolutionised a genre, and we love him for it.

Little Richard - Long Tall Sally (mp3, 3.7mb)






Next up on the "legends" list is highly popular and personal favourite 60s rock group The Kinks. Long Tall Sally was their first ever single, released way back in 1964. If I'm honest I think it was a bad choice for a debut single: firstly, The Beatles had covered it just months before, causing The Kinks' version to be overlooked. Secondly, I'm not really sure announcing yourself to the world with a cover is the best move - it just gives out the message that you can't write your own material. Obviously, The Kinks can write their own material, and extremely well, so they proved that claim wrong.

Their cover of Long Tall Sally isn't the best, really. It's a little down-tempo to the original, which doesn't necessarily ruin it, but as the tempo diminishes, so does the characteristic energy and style of the much-loved piece. The vocals sound a little half-hearted, besides the screams. Sure, there's a great harmonica solo, but it leads to what? A lazy return to the original chorus, which doesn't really seem to be leading anywhere. On the plus side, it's got some nice instrument playing, and the singing's all fine and in key, just... dull. No wonder this wasn't their breakthrough single.

The Kinks - Long Tall Sally (mp3, 2.1mb)






As mentioned before, The Beatles performed this song. I see no real point in saying that, as everyone thinks it's by them anyway. Damn Beatles.

There's an interesting story behind this cover. The Beatles actually played some shows with Little Richard, who in return gave them a few singing lessons. That's right, Paul McCartney's only so good because of Little Richard! Anyway, when The Beatles decided to cover Long Tall Sally, Paul actually sang it in G, as opposed to little Richard's F. Do the maths - G is a whole tone (yeah, tone. Using "step" is incorrect.) up from F. No doubt it's harder to sing in G than F, so why did Paul take the unnecessary strain when no one besides those with perfect pitch will notice anyway? Some believe it was to show Little Richard up, trying to prove he's a better singer than the old man. Others believe it's to display how well Little Richard taught them. I guess we'll never know...

The cover itself was highly successful, and rightly so. It's full of energy, impressive vocals, and most importantly, a piano (!), something The Kinks unfortunately overlooked. The guitar solo's pretty good too. While not technically difficult, it's still a nice piece of work. Overrall, it's a brilliant cover, thus furthermore proving that The Beatles can do no wrong.

The Beatles - Long Tall Sally (mp3, 1.2mb)




Support
Little Richard -- The Kinks -- The Beatles

Buy
Little Richard (UK) (US) -- The Kinks (UK) (US) -- The Beatles (UK) (US)

Friday

Manic Subsidal: early Offspring



What were The Offspring before they were in fact Offspring? Well, foetuses (ha ha, Offspring...), but that's not the answer, smartass. They were actually Manic Subsidal, a band with about as much influence and respect as Hitler has today: none, really. Hardcore Offspring fans will tell you that Manic Subsidal recorded loads of awesome stuff, but I reckon that's a lie, mainly because there's only one recording known to exist. That recording appeared on Mystic Records compilation We Got Power 2: Party Animal, way back in 1985. The significance of that compilation? It was the very same that bought us early recordings from NOFX (then titled No-FX), helping thrust them into the public eye. In fact, the NOFX song was absolutely terrible, but Manic Subsidal's "Hopeless" was something else.

Musically, it's actually very like lots of the early Offspring tracks. Think Blackball. Dexter's vocals are very obviously Dexter's, unlike on NOFX's earlier stuff when it vaguely sounds like Fat Mike, but swallowing a drunken cat. The instruments could feature more, as it's very vocally dominated, but overrall it's a pretty great song - extremely impressive for the very beginnings of a band. Sorry to keep comparing it to NOFX, but they really sucked back then didn't they?

Manic Subsidal (early Offspring) - Hopeless (mp3, 2.0mb)



Support
Website -- MySpace

Buy
Direct (International)

Thursday

Current obsession: Pulp



Since I've had Common People stuck in my head all the flippin' day, I figured it was a good excuse to post Pulp as my current obsession.

I expect you all know Pulp. At least, all you UK residents - the US are quite frankly missing out. Led by Jarvis Cocker, who's pretty much set his own style which all young wannabe Britpop stars aspire to, Pulp have had a somewhat limited success. They were never superheroes, but they've always been regarded as legends in the genre. Talking of which, what is the genre? How do you define a band who mix rock with disco of all things? I think I've mentioned before that I dislike the label "Britpop" as a genre (in fact, I have - here), but I suppose it's the most suitable for Pulp. What is it about Pulp I love so much? The rather amazing Cocker vocals, the unbelievably catchy hooks, the kitchen-sink lyrics? My absolute favourite band, Squeeze, also have a similar story-telling lyrical style, so it's entirely plausible that it's that. To be honest, I don't care why I love them; I just know I do and that's enough.

Seriously. If you do one thing today, buy yourself a copy of Different Class. No joke, it's actually the best album ever. Ever.

Pulp - Common People
(mp3, 5.4mb)
Pulp - Razzmatazz (mp3, 4.3mb)


Support
PulpPeople -- Acrylic Afternoons

Buy
Amazon (UK) (US)

Sunday

Saturday Covers #23 (late, whatever)

I appear to be getting into a habit of posting late. It's all justified by my business, just be glad there's a Saturday Covers this week at all. On with the show.

Today's song is actually Since You Been Gone (UK residents: you know, the one on the noodles advert), with Rainbow's recording being considered a classic nowadays. It's unfortunate that people know the song for the cover, because silently in the background is the songwriter and original performer going barely credited.






So, who is the original performer? you may ask. It's Russ Ballard, lead singer and guitarist from rock band Argent. I'd say he's one of the most underappreciated figures in rock: not only did he write Since You Been Gone only to have it covered by Rainbow with barely any credit, he also composed Kiss classic God Gave Rock And Roll To You, again with no credit. It's a pity.

What can be said about the original version then? The most immediately noticeable difference from Rainbow's cover is the intro is played on piano, as opposed to guitar. The music accompanying Russ's voice is far more active, with little synthesised twiddly bits (technical term, I know), including a "twiddly bit" solo half way through the song. The little vocal riffs at the end of the chorus are also different, and in my opinion far more interesting. It's definitely not a disappointing original version.

Russ Ballard - Since You Been Gone
(mp3, 2.6mb)






Though Rainbow are frequently labelled hard rock, this song... isn't. Maybe it's going a bit too far to call it pop, but it's definitely verging on the definition, which is a surprise when you consider the hair they had at the time. But less talk of the hair, what about the cover? It's not worth going into too much detail, as this is the version of the song that everyone knows. One interesting thing I did pick up on, though - listening to Russ Ballard's version, then directly after, this one... Ballard's is by far superior. It's just a lot happier, it feels like he really means what he's singing (which of course, he doesn't). Nothing like the original, despite Rainbow's being far more popular, eh?

Rainbow - Since You Been Gone
(mp3, 3.8mb)






Master Blaster are a little-known "group" from the UK, specialising in remixing old songs and trashing them. In fact, that's a little harsh. It's just not the type of thing I really listen to, that's all.

Their cover of Since You Been Gone (which they have incorrectly titled Since You've Been Gone) isn't so much a cover, as a mashy-smashy remixy thingummyjig* of Rainbow's cover. It's got the same riff, vocals, and all that, but it's also got some lovely little hippityhoppity noises over the top of it. It comes complete with some rather repetitive percussion added by Master Blaster, and in the chorus you also get some rather odd squeaky noises at regular intervals. I suppose I'm not really flattering it. All joking aside, although I don't really enjoy listening to it, it's an impressive bit of remixing, and while it may not take musical talent to do, it does take talent on some computer programs I won't even pretend to know anything about. So, credit where credit's due: it's not bad at all.

Master Blaster - Since You've Been Gone
(mp3, 1.4mb)

*It's not really my scene, so excuse me if the words I use aren't entirely correct for the genre.



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